Haynes flute serial numbers by year serial number#

What are the good serial number ranges for those? Are they the same Golden Era as the Handmade or do they have their own, different era. (late 50s to early 70s) BUT What about the closed hole, COMMERCIAL model flute?

I keep hearing about the Golden Age of Haynes and I have played some really nice HANDMADE french Haynes flutes from that era. Discover why today's greatest artists - from James Galway and Emmanuel Pahud to Jeanne Baxtresser and Amy Porter - play on a Haynes Flute! Every flute can be completely customized - from tubing material, mechanism, options, and engravings. At Haynes, we want to know your sound, the feel of your technical artistry, and the special features that make your flute complete. Haynes' passion for perfection still resonates in every flute created today.В When you play a Haynes flute, you know that you are playing a flute with more than 125 years of history, a flute of uncompromising standards. Haynes built a workforce of craftspeople who to this day share his ideals of craftsmanship and ardor for the art. Through the years, Haynes has been the choice of legendary players including William Kincaid, Georges Laurent, John Wummer, and Jean-Pierre Rampal (Haynes #29333, 14K gold) to name a few.В Mr. Around 1920, Haynes Flutes partnered with Georges Barrere, principal flutist of the New York Symphony, to create the American version of the French model flute - an open hole, soldered tone hole flute, and in 1935, Haynes built Barrere the very first American flute made of Platinum, #14,000. The first publicly available Haynes flute wasВ number 507, so lessons learned in crafting over five hundred prototypes helped him shape a set of principles that set the benchmark for modern flute creation. Around this time, George Haynes also invented the 'drawn tone hole' on an alto flute, revolutionizing the flute making process forever. With care and caution, William Sherman Haynes and his brother George Haynes fashioned theВ first Haynes flute,В a copy of a Boehm-Mendler, at the request of a member of the Boston Symphony in 1888. Haynes story is one of a passion for perfection the genesis of all flutemaking in America. Back to Stencils Armstrong Artley Flute and Metal Piccolo Artley Plastic and Wood Piccolo Haynes Louis Lot Powell Reynolds.